Alex Chinh Nguyen
Posted: March 12th, 2013 | Author: Max Marshall | Filed under: Digital art, Film | No Comments »
Alex Chinh Nguyen. Philadelphia, PA.
Alex Chinh Nguyen. Philadelphia, PA.
The Electric Chair (1969)
The Giant Claw (1957)
The Car (1977)
The Crawling Hand (1963)








Stills from “Le Monde du Silence”, Jacques-Yves Cousteau and Louis Malle, 1956.
upcoming TV-series by Benjamin Nuel.
John Hughes’s commentary on the museum scene at The Chicago Art Institute in Ferris Bueller’s Day Off. (1986)
“The Men of Gariunai” (1995) is a short documentary about Lithuanian car dealers and resellers. Newly re-established country’s economic hardships forced men of various professions to use newly opened Western borders and drive thousand killometers looking for a perfect used car. Amazingly badly translated it is also a curious and emotionally moving glimpse into a certain time in history and its generation.
Interim Camp, a short experimental film by Field, London.
Much like digital ice.
“Since 1950 I have been keeping a film diary. I have been walking around with my Bolex and reacting to the immediate reality: situations, friends, New York, seasons of the year. On some days I shoot ten frames, on others ten seconds, still on others ten minutes. Or I shoot nothing…. Walden contains material from the years 1964-1968 strung together in chronological order.” – Jonas Mekas
With Jonas Mekas, P. Adams Sitney, Tony Conrad, Stan Brakhage, Carl Th. Dreyer, Timothy Leary, Baba Ram Dass, Gregory Markopoulos, Allen Ginsberg, Andy Warhol, Jerome Hill, Barbet Schroeder, Jack Smith, Edie Sedgwick, Nico, Velvet Underground, Ken Jacobs, Hans Richter, Standish D. Lawder, Adolfas Mekas, Shirley Clarke, Jud Yalkut, Peter Kubelka, Michael Snow, Richard Foreman, John Lennon, Yoko Ono…
via Mary





The Day the Earth Stood Still (Robert Wise, 1951).
Blacula (1972) is often credited for starting a wave of black-themed horror films. Among them is Blackenstein (1973) released the following year.